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Review: Planet 51
Filed under: Action, Animation, Comedy, Sci-Fi & Fantasy, Sony, Theatrical Reviews
As voiced by Dwayne "the artist formerly known as The Rock" Johnson, astronaut Chuck Baker is the paragon of all-American achievement -- that is, until he conquers a far off world with an unexpected population, one inexplicably steeped in our '50s-era culture and terrified by the prospect of an alien invader in human form. More unfortunately for us, Chuck has landed smack-dab in the middle of Planet 51, a short-sighted assembly of sci-fi references and scatalogical humor that should nonetheless placate undemanding tots and, by extension, their undiscerning parents for ninety minutes or so.
Free Flick of the Day: American Pop
Filed under: Animation, Comedy, Drama
The early '80s were an interesting time for controversial artist and animator Ralph Bakshi. His 1970s were filled with incendiary offerings like Heavy Traffic, Coonskin, Wizards, Fritz the Cat, and his (truncated) adaptation of Lord of the Rings. But once the 1980s rolled around, Mr. Bakshi was a little more sedate -- and absolutely intent on furthering the art of feature-length animation. The often misunderstood Bakshi would turn out Hey Good Lookin' in 1982 and collaborate with the legendary Frank Frazetta on 1983's Fire and Ice ... but I say the filmmaker's best work was his follow-up to the Lord of the Rings misstep...It's called American Pop and it strives to tell the story of American music over the course of four generations, from an immigrant who specializes in vaudeville to a modern-day rock star. (Well, modern for 1981.) Arguably Mr. Bakshi's most sincere film, American Pop often feels like the Rolling Stone version of The Godfather Part 2 ... and I don't think that was an accident. Backed by an amazing soundtrack and (of course) some dazzlingly offbeat animation, American Pop is our free flick of the day. You can enjoy this (decidedly R-rated) animated feature right here at Slash Control. And let me know what you thought of it!
Sean Connery Ditches Retirement to Play ... a Skateboarding Veterinarian?
Filed under: Animation, Independent, Casting, Family Films, DIY/Filmmaking, Newsstand
Good actors never really retire, they just find new and easier ways to work. Sean Connery loudly proclaimed his intention to retire from the silver screen, but he's decided to make a bit of a return. According to The Hollywood Reporter, Connery will lend his voice to the CGI animated movie Sir Billi, an independent film created by husband-and-wife team Sascha and Tessa Hartmann. Connery is an executive producer on the project, and has been heavily involved with its production. The movie will have Connery playing "a retired, skateboarding veterinarian" who rescues an illegal fugitive who just happens to be a beaver. (I now wish this could cross over into The Beaver.) The Hartmanns have been working on the project for five years, and it's now set for a 2010 release.
The final touch is apparently a Shirley Bassey tune, and THR reports that she's signed up to record a song titled The Guardian of the Highlands for the film. Let me repeat that: Bassey singing a song called The Guardian of the Highlands. It's now my favorite song of all time, and I haven't even heard it.
So, if you've been lying awake wondering what Connery has been up to, now you know. He's been overseeing a charming Scottish cartoon, and lending his slurry brogue to a skateboarding veterinarian. But I don't this heralds a return to acting -- remember, Connery was able to literally phone in this performance and head back to the golf course, enjoying the fruits of retirement.
'Guardians of Ga'hoole' Gets a Killer Cast
Filed under: Animation, Casting
As much as I love a good animated film, sometime I have to sigh and wonder what would be if the same cast was in a live action feature. This is one of those times. Zack Snyder's Guardians of Ga'hoole has found its official cast, and it's a little different from earlier reports in January. Hugo Weaving and Ryan Kwanten are still in, Hugh Jackman is not, and there are a whole bunch of new folks. The Hollywood Reporter posts that the cast will be headlined by Sam Neill, Geoffrey Rush, David Wenham, and Weaving. (Mucho props to Elisabeth for guessing right on Wenham in April '08!) These guys will be joined by the likes of Aussie folks Emily Barclay, Abbie Cornish, Emilie de Ravin, Jay Laga'aia, and Kwanten. PLUS -- three Brit actors with Miriam Margolyes, Helen Mirren, and Jim Sturgess. Unfortunately, there's no cast rundown of who will voice who, and with that many names, I'm not even going to try guessing. Check out IMDb for a few casting names, but I'm not so sure on their accuracy since they list Sturgess as Soren, and THR lists him last, rather than naming him as a headliner.
Holy crap! Is it terrible that this news makes me sad and wishes this cast wasn't wasted on owls? Many of these actors could offer so much visually, and oh, how I'd love to see them play off of each other -- especially Wenham, Weaving, and Mirren. At the very least, it's got me itching to watch the story of the young owl Soren and his enthrallment with stories of the winged warrior Guardians of Ga'Hoole. How 'bout you?
Box Office: Mooning the Planet of the Blind
Filed under: Animation, Comedy, Drama, Romance, Box Office Predictions
Despite what the critics thought, people flocked to the end of the world epic 2012 which pulled in $230 million globally. Precious expanded into a modest 174 theaters but still managed to land the number three position. Here's the top five:
1. 2012: $65.2 million
2. A Christmas Carol: $22.3 million
3. Precious: Based on the Novel: "Push" by Sapphire: $5.8 million
4. The Men Who Stare at Goats: $5.9 million
5. Michael Jackson's This Is It: $5 million
And moviegoers have three new releases to choose from this weekend.
The Twilight Saga: The New Moon
What's It All About: Do you really need to be told? This, of course, is the hotly anticipated sequel to 2008's Twilight. Bella's life continues down a dark path after Edward leaves her for her own safety. We've also got hunky bare-chested werewolves this time.
Why It Might Do Well: The first film had a $70 million opening weekend in 3,419 theaters. I suspect owning film rights to the Twilight series is like having a license to print money.
Why It Might Not Do Well: Some folks don't like their vampires to sparkle.
Number of Theaters: 4,000
Prediction: $86 million
The Blind Side
What's It All About: A homeless teen is adopted by a conservative family and matures into a football star with the potential to turn pro.
Why It Might Do Well: From a strictly personal standpoint, sports films don't really interest me, but this grabbed my attention. Also 67% at Rottentomatoes.com ain't bad.
Why It Might Not Do Well: Well, there is that vampire movie coming out this week.
Number of Theaters: 3,100
Prediction: $16 million
1. 2012: $65.2 million
2. A Christmas Carol: $22.3 million
3. Precious: Based on the Novel: "Push" by Sapphire: $5.8 million
4. The Men Who Stare at Goats: $5.9 million
5. Michael Jackson's This Is It: $5 million
And moviegoers have three new releases to choose from this weekend.
The Twilight Saga: The New MoonWhat's It All About: Do you really need to be told? This, of course, is the hotly anticipated sequel to 2008's Twilight. Bella's life continues down a dark path after Edward leaves her for her own safety. We've also got hunky bare-chested werewolves this time.
Why It Might Do Well: The first film had a $70 million opening weekend in 3,419 theaters. I suspect owning film rights to the Twilight series is like having a license to print money.
Why It Might Not Do Well: Some folks don't like their vampires to sparkle.
Number of Theaters: 4,000
Prediction: $86 million
The Blind SideWhat's It All About: A homeless teen is adopted by a conservative family and matures into a football star with the potential to turn pro.
Why It Might Do Well: From a strictly personal standpoint, sports films don't really interest me, but this grabbed my attention. Also 67% at Rottentomatoes.com ain't bad.
Why It Might Not Do Well: Well, there is that vampire movie coming out this week.
Number of Theaters: 3,100
Prediction: $16 million
Lots of Very Cool 'Up' Concept Art
Filed under: Animation, Fandom, Images
Now that Pixar's Up has officially landed on DVD and Blu-ray, artist Paul Conrad has posted a bunch of the concept art from the film that he worked on, like the above image (which I pieced together) that includes the original digital photo that inspired "Paradise Falls" alongside the faux magazine article that Ellie first thumb-tacks in their living room. Some interesting tidbits we learn from Conrad's blog:
- According to one image, Paradise Falls was at one point called Angel Falls.
- Initially, 185 Wilderness Explorer Merit Badges were created for Russell, though they only used 47 in the film (see all 185 over at Conrad's site).
- The bird's name was originally Gary, and then later changed to Kevin.
- Additionally, several soda cap badges were also created eventually leading to the single Grape Soda cap that young Ellie pins on young Carl (see all the soda cap designs over at Conrad's site).
_thumbnail.jpg "Paradise Falls")
The Original Pitch for 'Monsters, Inc.'
Filed under: Animation, Fandom, Newsstand
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Kudos to Cinematical reader Kashif Pasta for sending this our way. On the latest episode of the Creative Screenwriting Magazine Podcast (which I didn't know existed, but now do and will totally listen more often), Up and Monster's, Inc director Pete Docter revealed the original pitch for Monsters, Inc. -- which was very different from what eventually hit the screen, and kinda reminded me of Where the Wild Things Are in a sorta-ish way. On this blog, Kashif separated the segment of the podcast where Docter reveals the original pitch (which came at about 22 minutes in), and it went something like this:
"Well, my idea was that what it was about was about a 30 year old man who is like an accountant or something, he hates his job, and one day he gets a book with some drawings in it that he did when he was a kid from his mom, and he doesn't think anything of it and he puts it on the shelf and that night, monsters show up. And nobody else can see them. He thinks he's starting to go crazy, they follow him to his job, and on his dates, and all this- and it turns out these monsters are fears that he never dealt with as a kid. And each one of them represents a different kind of fear. As he conquers those fears, the guys who he slowly becomes kind of friends with- they disappear as he conquers those fears. It's this bittersweet kinda ending where they go away, and so not much of that stayed
[...]
it sounds better as a pitch than it did at the time- anyway. "
Sounds like a pretty cool punch-in-the-gut kinda movie to me; something with real intense emotion. I like Docter in that way. I feel he likes to create these beautiful child-like movies with some pretty intense adult emotions behind them. It's part of what makes that Pixar crew so great and unique and powerful. You can listen to the audio from the Docter podcast over here.
Review: Fantastic Mr. Fox
Filed under: Animation, Comedy, Theatrical Reviews, 20th Century Fox, Family Films
By Todd Gilchrist (reprint from 11/3/09 -- AFI Film Festival)
It's not hard to like any movie that uses the Beach Boys' music, but Wes Anderson makes it especially easy. As Hollywood's foremost purveyor of hipster drama, his pedigree as a reliable selector of appropriately wistful, poignant and all-around unforgettable songs is virtually unrivaled, but Fantastic Mr. Fox exceeds even the work of his earlier films, using "Heroes and Villains," and later, "I Get Around" as populist punctuation that manages to be both specifically relevant and substantively rousing.
As an animated opus, the film is by necessity his most controlled to date, a painstakingly-designed dollhouse where he no longer controls just the music, sets, and costumes, but the performers themselves. Ironically, however, it feels like his loosest as well - a gloriously unwieldy comedy of manners submerged in the minutiae of Anderson's madcap creativity. All of which makes Fantastic Mr. Fox a celebration both of its stop-motion medium and Anderson's aesthetic, while still managing to fully document the spectacular fun in original author Roald Dahl's daffy, distinctive imagination.
'Mr. Fox' Deserves a Fantastic Feast
Filed under: Animation, Fandom, Exhibition
Dear Alamo Drafthouse or any other movie theater that serves food with movies,I just saw Fantastic Mr. Fox and afterwards I realized something that no one seems to have mentioned so far: This is totally a foodie movie. It's not foodie like Julie & Julia, where the characters are baking desserts and decapitating ducks and invoking the spirit of Julia Child ... but food is a central part of the story . The three main bad guys each are rumored to only consume a single type of food or drink, and Mr. Fox is obsessed with getting his paws on some of these delicacies. There are feasts, there are large plates of French toast and desserts, there is a significant cider incident -- in short, this movie is awash in food and drink.
Therefore, I strongly suggest that you offer a feast to accompany some screenings of Fantastic Mr. Fox. It took me days to recuperate from Alamo's feast for The Simpsons Movie, but boy was it worthwhile. Alamo does feasts for all kinds of fancy foodie movies, and any other movie it likes ... this is one I hope is not forgotten, even though it is opening in Austin around Thanksgiving, when people have turkey feasts on the brain.
Watch This: Wes Anderson Acts Out 'Mr. Fox' Storyboards
Filed under: Animation, New Releases, Celebrities and Controversy, New in Theaters, DIY/Filmmaking, Trailers and Clips
In this month's Fantastic Mr. Fox, Wes Anderson makes his first foray into animation with an adaptation of Roald Dahl's story about an upwardly mobile fox (George Clooney) whose drive to steal chickens threatens his family and community. While it's Anderson's first non-live action project, Mr. Fox nonetheless shares qualities with his other films, including a meticulous attention to detail, stylish design, and idiosyncratic characters. So how did the live-action auteur tackle the challenges of stop-motion filmmaking, especially considering that he spent much of the production in an entirely different country than his crew?
HitFix has a fun little glimpse of the director at work that shows us how Anderson collaborated with his animation team to bring the characters of Fantastic Mr. Fox to life. From his base in Paris, Anderson shot video storyboards of scenes and character movements by acting out scenes and blocking himself. He then emailed the videos to his crew in London, who took their visual cues from Anderson's performances. The end results, when viewed side-by-side with Anderson's versions, are near identical.
Hit the jump and watch Anderson as Mr. Fox, Kristofferson, Ash, and other characters from The Fantastic Mr. Fox.
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